Last Update: 7/2021
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Genre: eLearning | Language: English
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Become a creative writing master and write killer novels, memoirs, or short stories
Last Update: 9/2021
Duration: 8h45m | Video: .MP4, 1280x720 30 fps | Audio: AAC, 44.1 kHz, 2ch | Size: 10.2 GB
Genre: eLearning | Language: English
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Amy Tan was 33 before she first explored her voice as a fiction author. A few years later, her debut novel, The Joy Luck Club, spent 40 weeks on The New York Times bestseller list. Now she's showing you her approach to the challenges and joy of self-discovery through writing. Learn how to craft compelling beginnings and endings, find your voice, and embrace your emotional memory to bring powerful narratives to life.
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Genre: eLearning | Language: English | Duration: 16 Lessons (4h 2m) | Size: 10.8 GB
The winner of the Hugo Award for three consecutive years for her Broken Earth Trilogy, N. K. Jemisin has sold millions of books and created new cultures and histories. Now the acclaimed science fiction and fantasy writer is teaching you how to create a world from scratch, develop compelling characters, and get published. Build your craft and share your voice with inclusive fiction that reflects your experience.
Deborah Halverson, "Writing Young Adult Fiction For Dummies"
English | ISBN: 0470949546 | 2011 | 384 pages | MOBI | 4 MB
Your hands-on, friendly guide to writing young adult fiction
Prem Kumari Srivastava, "Indian Popular Fiction: New Genres, Novel Spaces"
English | ISBN: 1032145587 | 2021 | 248 pages | PDF | 47 MB
The scholarly essays in this book open up experimental and novel spaces and genres beyond the traditional and the literary world of Indian Popular Fiction as it existed towards the end of the last millennium. They respond to the possibilities opened up by the technology-driven and internet-savvy reading and writing world of today. Contemporaneous and bold, most of the essays resonate with the racy and fast-paced milieu and social media space inhabited by today's youth. Combative in its drift, this book makes possible an attempt to disband hierarchies and dismantle categories that have engulfed the expansive landscape of Indian Popular Fiction for too long. It facilitates discussion on graphic novels, microfiction, popular-entertainment and political satire on television and celluloid, social media-driven romances existing in the domain of the 'real' rather than that of 'fantasy' and mythological readings against the backdrop of gender and politics. Aimed at facilitating further research by scholars and enthusiasts of Indian Popular Fiction, this book is also an ode to the current trends generated by social and internet media cosmos.
J. P. Telotte, "Science Fiction Double Feature: The Science Fiction Film as Cult Text "
English | ISBN: 1781381836 | 2015 | 256 pages | PDF | 2 MB
Critical discussion of cult cinema has often noted its tendency to straddle or ignore boundaries, to pull together different sets of conventions, narrative formulas, or character types for the almost surreal pleasure to be found in their sudden juxtapositions or narrative combination. With its
Best of Woman's Weekly Fiction - 28 August 2021
English | 70 pages | PDF | 64.3 MB
Abigail Lee Six, "Spanish Vampire Fiction since 1900: Blood Relations "
English | ISBN: 1138303836 | 2019 | 238 pages | PDF | 4 MB
Spanish Vampire Fiction since 1900: Blood Relations, as that subtitle suggests, makes the case for considering Spanish vampire fiction an index of the complex relationship between intercultural phenomena and the specifics of a time, place, and author. Supernatural beings that drink blood are found in folklore worldwide, Spain included, and writers ranging from the most canonical to the most marginal have written vampire stories, Spanish ones included too. When they do, they choose between various strategies of characterization or blend different ones together. How much will they draw on conventions of the transnational corpus? Are their vampires to be local or foreign; alluring or repulsive; pitiable or pure evil, for instance? Decisions like these determine the messages texts carry and, when made by Spanish authors, may reveal aspects of their culture with striking candidness, perhaps because the fantasy premise seems to give the false sense of security that this is harmless escapism and, since metaphorical meaning is implicit, it is open to argument and, if necessary, denial.