Constantine Verevis, "US Independent Film After 1989: Possible Films"
English | ISBN: 0748692444 | 2015 | 240 pages | PDF | 9 MB
In contemporary film and popular culture the terms 'independent' and 'indie' hold instant recognition and considerable cultural cachet. As both a brand of American filmmaking and a keynote of critical film discourse, indie denotes specific textual, industrial and reception practices that have been enthusiastically cultivated across the last decade of the twentieth century and the first of the twenty-first. Underpinning this cultural category is a canon of highly visible films and filmmakers whose 'maverick' personas and self-aware stylisation have successfully sold indie as a quality, alternative worldview―figures like Quentin Tarantino, Joel and Ethan Coen, Kevin Smith and Wes Anderson, and films like Slacker, Memento, Happiness and Juno.

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