Edward Rothstein, New York Times cultural critic, contends that every utopia is really a dystopia-a disaster in the making-one that overlooks the nature of humanity and the impossibilities of paradise. He traces the ideal in politics and technology and suggests that only in art-and especially in music-does the desire for utopia find satisfaction. Martin Marty examines several models of utopia-from Thomas More's to a 1960s experimental city that he helped to plan-to show that, even though utopias can never be realized, we should not be too quick to condemn them. They can express dimensions of the human spirit that might otherwise be stifled and can plant ideas that may germinate in more realistic and practical soil. And Herbert Muschamp, the
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